Tuesday 16 March 2004

Back to Vasa Prihoda, with a recital of musical snippets in 1958 (Turin). Paganini, Hubay, Dvorak, etc. He really was an extremely proficient player and a truly formidable technician. Strange how people such as Ruggiero Ricci received the acclaim and the recording contracts back in the 1940s and 50s, rather than Prihoda (who was miles in advance of Ricci, technically).

Also bought the new Sarah Chang recording (with Lars Vogt). She plays the first Saint-Saens sonata, the Ravel sonata, and the Franck sonata. The recording is a problem, with a high dynamic range. A bit like Flesch's description of Hubermann: "He either shouts, or he whispers". Well, as recorded here, the duo blow you out of the room at climaxes; if the volume is turned down, the many admirable pianissimi become well-nigh inaudible.

Over all, the combination of German and American doesn't sound too much at home in this recital of very French music. The Saint-Saens, in particular, sounds ill-digested (almost as if it is being -- very well -- sight-read at times). I have always admired Sarah Chang, but think she is more attuned to Romantic music than to this French period. Not surprisingly, the Franck sonata probably comes off best. This is not an encouraging CD, and I shall no longer buy Sarah Chang automatically.

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