I've been having second thoughts about Alina Ibragimova and Cédric Tiberghien in Brahms' G major sonata for violin and piano. Maybe it's not a little slow and sentimental; maybe that is just the way the two musicians think it should be played. On a second hearing, I thoroughly enjoyed it and it reminded me of something Julia Fischer said in a recent BBC radio interview, talking about playing pieces everyone knows all too well [in the case in point, the Franck sonata]. Julia Fischer said you need to forget about "making your own mark" and concentrate on playing the music as you think it is meant to be played. Sounds as if Alina and Cédric are following her advice, and I like the result.